I am an architect and interdisciplinary designer working at the intersection of spatial practice, material ecologies, research and computational inquiry. Educated in architecture and advanced design technologies across Poland and Denmark, I approach architecture simultaneously as a cultural construct, environmental interface, and speculative medium, capable of mediating relationships between bodies, climates, technologies, and landscapes.

My international trajectory has included working for practices such as Bjarke Ingels Group, Kengo Kuma and Associates, 3XN/GXN, Hassell, and LINK Arkitektur, engaging projects across diverse scales and typologies, from cultural and hospitality developments to speculative habitats for extraterrestrial environments. My years in Japan profoundly shaped my spatial sensibility, fostering a sustained engagement with notions of ephemerality, ambiguity, atmospheric perception, material restraint, and the reciprocity between architecture and the more-than-human world.

Positioned between research and practice, my work synthesises computational design, environmental intelligence, vernacular knowledge systems, and experimental material methodologies. I am particularly interested in hybridised approaches that dissolve conventional distinctions between the technological and the organic, conceiving architecture not as a static object, but as a performative, adaptive, and ecological system. Through both built work and artistic installations, I investigate questions of temporality, ritual, climate, memory, and embodied sensory experience.

My research critically engages with planetary futures, adaptive environments, and post-carbon spatial paradigms, often drawing simultaneously from emerging technologies and ancestral forms of environmental knowledge. Rather than treating sustainability as a technical add-on, I am interested in architecture as a form of environmental intelligence, one that is culturally embedded, materially sensitive, and capable of establishing new relationships between humans, technology, and living systems.

Combining analytical precision with an atmospheric and materially driven design language, I see architecture as a medium for ecological mediation, cultural speculation, and spatial experimentation.